Goblin Market was an experimental theater production inspired by the poem of the same name by Christina Rosetti. It sought to capture the essence of the narrative and transform its words into a visually immersive performance. Students introduced an unabridged interpretation of this pre-raphaelite text by abstracting it into a re-imagined modernity. The project’s aim was to construct a fully immersive experience by playing with both classical theater conventions (such as Greek chorus) and immersive sensorial elements that do away with the audience/performer separation of traditional proscenium theater. The project utilized only analog technologies of theater, excluding sound effects and lighting, relying only on very basic props and costuming, which, alongside the deeply psychological introspection of the poem, created an innovative, unconventional artwork. Overall, the entire production lasted about 30 minutes and ran four shows. Through a feminist reading of Rosetti’s poem and an experimental interrogation of the workings of experiential learning, the performance provided a long-lasting reflection on feminist approaches to learning and feminist space creation.